
Sanjay Madnani is a Communication Strategist and Designer by profession, an Animation Film Designer, an illustrator, a cartoonist, a satirist, and a storyteller by passion.
From a cartoonist in Hindi newspapers, to a design student, to a commercial sector professional, to an educator, to a Development Communication professional, his journey has had dramatic turns. None, however, felt alien to him.
Being a development sector insider for twenty odd years, Sanjay weighs heavily on the fact that development and governance still has a enormous void to be filled by design, design thinking and design process. Focused on Communication for Development (C4D), Social and Behavioral Change Communication (SBCC), Indigenous media and new media, he has multiple crosscutting projects across the globe to his credit.
Sanjay resides in Nepal, calls India his home, then again, he travels around a lot for work.
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
Video Description – This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner
This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner, Sanjay, barely 18, is offered to provide cartoons for the newspaper to be launched a week later. For that one-week Sanjay develops a cartoon style and brushes up his knowledge of politics and society at large. Within a week’s time after starting to publish ‘Tazurba’, Sanjay’s style starts to mature, and his messages start to pinch. In a few months’ time, Sanjay starts his handwritten weekly satirical.
This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner, Sanjay, barely 18, is offered to provide cartoons for the newspaper to be launched a week later. For that one-week Sanjay develops a cartoon style and brushes up his knowledge of politics and society at large. Within a week’s time after starting to publish ‘Tazurba’, Sanjay’s style starts to mature, and his messages start to pinch. In a few months’ time, Sanjay starts his handwritten weekly satirical.
This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner, Sanjay, barely 18, is offered to provide cartoons for the newspaper to be launched a week later. For that one-week Sanjay develops a cartoon style and brushes up his knowledge of politics and society at large. Within a week’s time after starting to publish ‘Tazurba’, Sanjay’s style starts to mature, and his messages start to pinch. In a few months’ time, Sanjay starts his handwritten weekly satirical.
This was a proof that life offers you more drama than any fiction can. Upon a chance encounter with a soon to be launched newspaper’s owner, Sanjay, barely 18, is offered to provide cartoons for the newspaper to be launched a week later. For that one-week Sanjay develops a cartoon style and brushes up his knowledge of politics and society at large. Within a week’s time after starting to publish ‘Tazurba’, Sanjay’s style starts to mature, and his messages start to pinch. In a few months’ time, Sanjay starts his handwritten weekly satirical.