Sanjay Madnani is a Communication Strategist and Designer by profession, an Animation Film Designer, an illustrator, a cartoonist, a satirist, and a storyteller by passion.
From a cartoonist in Hindi newspapers, to a design student, to a commercial sector professional, to an educator, to a Development Communication professional, his journey has had dramatic turns. None, however, felt alien to him.
Being a development sector insider for twenty odd years, Sanjay weighs heavily on the fact that development and governance still has a enormous void to be filled by design, design thinking and design process. Focused on Communication for Development (C4D), Social and Behavioral Change Communication (SBCC), Indigenous media and new media, he has multiple crosscutting projects across the globe to his credit.
Sanjay resides in Nepal, calls India his home, then again, he travels around a lot for work.
A drastic turn of events had Sanjay competing with 300 candidates and being interviewed amongst five by the Ford Foundation to leads its pilot Indigenous Media Project in five Greater Himalayan countries. In two months’ time, Sanjay had to disassemble his established life and don the cap of a Development Professional, with pleasure, of course.
With the onset of New Media (i.e., usage of television, computers, and mobile phones) the communities were broadly beginning to be divided into haves and have-nots. Simply put, those with access to electricity and these new gadgets were at the front line of receiving new and useful information. However, those without access to electricity and new gadgets, most of whom were already illiterate or semi-literate, were increasingly being left behind. In effect, on the one hand, the world was developing leaps and bounds, and on the other, a large section of the underdeveloped population was being pushed back into the dark ages. Waiting for this section of the community to become literate and/or have access to new media would further widen the void. This alarming void needed to be addressed urgently.
Aimed at improving communication methodologies between knowledge generators and knowledge seekers in the Greater Himalayan region, the project was to examine and promote the use of traditional media for passing on relevant agriculture and livelihood-related information to grassroots communities. Indigenous Media being a pilot project, Sanjay needed to exercise careful judgement in selecting project sites and partners that could provide representative samples of the regions of the Greater Himalayan region. Cultural attitudes, languages, currently used Indigenous Media and capabilities of local NGOs and institutions, were the basis for selecting partners and sites.
Having selected appropriate partners, and visiting each of the project partners in India, Nepal and Bangladesh, Sanjay trained partners in creating Indigenous Media prototypes, visual communication, composition, storytelling, entertainment, problem-solving, acting, puppet making, prop making and directing and producing presentations disseminating livelihood and agriculture-related messages and processes.
Newspaper owner offered the role of a cartoonist.
Sanjay brought two gold medals to the Jiwaji University.
A Ford Foundation Project at ICIMOD